|
THE
POTATO
EATERS:
DIG
IT
BABY!
The
Potato
Eaters
are
a
group
of
four
artists
inspired
by
peasant
painter,
Vincent
Van
Gogh,
whose
first
large-scale
painting
with
multiple
figures
was
The
Potato
Eaters.
Van
Gogh
spoke
of
the
potato
eaters
as
leading
"a
way
of
life
completely
different
from
ours,
from
that
of
civilized
people,"
and
tried
to
convey
the
idea
that
they
had
"used
the
same
hands
with
which
they
now
take
food
from
the
plate
to
dig
the
earth."
The
current
Potato
Eaters
consist
of
four
artists:
Andrea
Avery,
Nina
Ganci,
Frank
O'Brien,
and
Rebecca
Stees.
Part
of
a
decade
long
bio-social
project
studying
the
stigma
of
being
underground
and
having
dirt
under
their
fingernails,
their
groundbreaking
experiments
with
soot
and
grime
have
uncovered
art
in
locations
as
mundane
as
their
own
backyards
and
as
exotic
as
the
crevices
of
their
dusty
faces.
The
group
inadvertently
formed
on
the
campus
of
Webster
University.
Stees
explains,
"We
were
huddled
together
in
the
printmaking
studio
digging
up
repressed
memories
and
sharing
a
bag
of
potato
chips
when
we
uncovered
a
chip
that
resembled
the
face
of
former
vice
president
Dan
Quayle.
The
discovery
led
to
a
fascination
with
the
tuber
that
has
lasted
over
a
decade,"
ironic
considering
the
controversy
surrounding
Quayle's
misspelling
of
the
word
"potato"
during
his
term.
| "All
of
our
art
is
measured
against
the
humility,
functionality,
and
delectability
of
the
potato,"
continues
Stees.
"It
is
our
control
in
this
experiment.
Most
people
don't
dig
deep
enough
into
the
universal
collective
conscious
of
the
potato
and
our
attraction
to
the
vegetable;
they
don't
understand
its
impact
on
humanity.
Our
group
is
here
to
say
'Dig
It
Baby!'" |

Rebecca
Stees
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Frank
O'Brien
|
O'Brien
further
explains
the
mission
of
the
group.
"We
aren't
a
bunch
of
starched
collars.
Yes,
we
are
serious
about
our
art,
but
we
are
obsessed
with
the
potato.
While
scientists
might
search
for
the
biological
reasons
for
our
fascination,
the
role
of
us
as
artists
is
not
explain
the
obsession,
but
to
seek
an
understanding
of
the
obsession." |
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| The
group
is
on
a
strict
daily
diet
of
French
Fries,
with
the
only
exception
being
a
weekly
Sunday
feast
of
mashed
potatoes.
The
diet
has
affected
each
artist
differently,
ranging
from
excessive
people
pleasing
to
general
lethargy.
Says
Avery,
"both
my
work
and
waistline
suffer
and
succeed
because
of
the
potato.
When
I
can't
decide
what
to
paint
next,
I
bake
a
sweet
potato
pie,
then
its
back
to
the
studio." |

Andrea
Avery
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Nina
Ganci
|
Scandals
have
plagued
the
group
in
the
recent
past.
Earlier
this
year
an
endorsement
deal
with
a
major
ketchup
manufacturer
fell
through
when
The
Potato
Eaters
could
not
agree
on
the
merits
of
the
condiment.
"The
manner
in
which
the
tomato
industry
treats
their
fruit
is
cruel
and
unusual,"
cries
Ganci.
"I
am
strictly
an
aioli-wasabi
dipping
girl
and
urge
the
world
to
unite
in
a
ketchup
boycott."
Sources
reveal
that
Ganci
is
organizing
a
protest
march
to
take
place
in
the
spring. |
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| The
group
is
not
without
its
detractors.
Some
in
the
art
community
have
questioned
the
validity
of
the
group's
findings.
"I
don't
know
if
they
are
artists
or
lab
rats,
"
complains
MadArt
Gallery
owner
and
artist,
Ron
Buechele,
"so
I'm
giving
them
an
opportunity
to
make
their
case." |

Ron
Buechele
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| Results
of
The
Potato
Eaters
experiment
can
be
seen
at
MadArt
Gallery,
a
former
St.
Louis
police
station,
on
January
19,
2002.
Suggested
admission
to
the
show
is
$3
and/or
a
potato.
Vegetables
collected
will
be
used
in
a
study
conducted
the
evening
of
the
exhibit.
Monetary
proceeds
will
go
towards
the
creation
of
a
book
documenting
the
evening's
events. |
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